[vxtdvrvole] Download Every Fonts Family From Anita Jürgeleit

Download Now
Server 1 Download Now
Server 2 Download Now
Server 3

EVERY is designed to be the most valuable typography equipment in your repertoire!

It immediately reveals its true greatness and grandeur. Its sublime generosity, expressive aesthetics and unique presence underscore its image befitting its status.

Rich in visions, a wide range of features have been created to master all your typographic challenges par excellence: True italics, small caps, old-style figures, discretionary ligatures and arrows are just some of the many possibilities that EVERY offers.

28 Styles in three optical sizes, each with over 900 characters, gives you the opportunity to create fascinating, high-quality design with the scent of iconic elegance.

Be exceptional – EVERY day.

FEATURES:

24 Styles
3 Optical Sizes (Head, Text & Micro)
950 Characters
True Italics
Small Caps

Old Style Figures
Ligning & Tabular Figures
Sub- & Superscripts
Predefined Fractions
Discretionary Ligatures
Extended Currency Set (proportional & tabular currencies)
Full Latin Language Support (incl. Vietnamese)
Various Arrows

Download Every Fonts Family From Anita Jürgeleit

[rhysh] Download Orto fonts from LetterPalette

Download Now Server 1 Download Now Server 2 Download Now Server 3 Orto is a type family of sans serif fonts in eight weights. It's a humanist typeface with real cursive, containing both Roman and Italic styles. The letters are designed to look good on screen, they have a bit narrower proportions and simple shapes. Their structure is based on flat horizontal and vertical strokes, which are emphasized wherever possible. That’s where the name comes from: Orto is an abbreviation of the word orthogonal . Thanks to its narrow width, the typeface is less space-consuming and adapts well to the screens of smaller devices. It is legible in small sizes, thanks to the larger x-height. The characteristic details, like bent ends of diagonal strokes, stand out when used in larger sizes. Orto can be used equally good in print and its overall neutral look fits different contexts. However, its character is pretty recognizable. Orto contains Latin and Cyrillic script and covers six codepages: Lat...

[vryqrnzvmy] Download MIR Next Fonts Family From Juliasys

Download MIR Next Fonts Family From Juliasys MIR Next is a growing multi-script type family best described by the terms “humanist–semi–slab-serif”. Its character set contains Latin and Cyrillic, both extended, as well as Greek, covering more than 100 languages. Strong personality along with consistency between language systems were a basic aim when designing the family. As a result MIR has become a great tool for branding and international identities. A wide choice of symbols and numbers makes it also very useful for statistics, texts about mathematics and the sciences. Serious things are best be said in an unpretentious, relaxed way. MIR gives typography exactly that kind of appearance. Its texts emit a sense of authority but stay easily accessible at the same time. MIR’s name comes from the old Russian word Мир meaning both “world” and “peace” – a unity we will hopefully take for granted sometime in the future. Download MIR Next Fonts Fam...

Download Mozsar Font Family From Miklós Ferencz

Download Now Server 1 Download Now Server 2 Download Now Server 3 Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look. With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size. The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants. The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersecti...

Evelyn Agafonova

Search This Blog